Big Bad Dad is visiting friends in Boston, Lauren a chemistry pal from CU Boulder and her husband Ed, an extremely talented artist who creates wild, beautifully rendered, rather disturbing paintings. I see his stuff is more political these days. Back when BBD was in college (over 10 years ago) Ed worked with religious themes, like a crucifixion scene with Christ having a Pez rabbit's head (if I remember correctly).
Here's one of his pieces called Ampoohtee, 2003:
In a review written by Jeanne Claire van Ryzin AMERICAN-STATESMAN ARTS CRITIC:
About a year ago, Monovich, who now lives in the New York City area, stood out in a group show at Arthouse with his pop-culture-inspired drawing that questioned recent U.S. military interventions. Why? He's one of the few young artists who can handle political material without being didactic or simplistic.
Mixing comic book-like figures, pop culture icons (Disney's Pinocchio, for example) and precisely rendered images of toys or animals or tanks, his mixed-media drawings -- he uses everything from correction fluid to rubber stamps to dry transfer letters and tape -- all look like busy collages of clip art. He fills every available space, often using as a background the pixelated pattern of the brown or green camouflage used by the U.S. military. The soldier with a monkey's head in "Flex your Mosul" sports a tattoo that reads Haz Mat (the abbreviation for "hazardous materials"). In "Friendly Fire," Pinocchio's nose, wrapped in yellow ribbon that reads "Friendly Fire," grows longer as he receives a blood transfusion, the blood bag hanging on a machine gun.
Monovich certainly doesn't mince his opinions. And though his drawings are fantastically complex, his message rings loud and clear.
I just wish we had the money back in college to buy some of Ed's paintings or drawings. Except some of it was so disturbing (lots of amputees) yet beautiful that I'm not sure I could have lived day to day with it.
To see more of Edward Monovich's work, go to his website.